Song of Jerusalem

Song of Jerusalem is part of a series that never took off. I was working at the time with author and musician Yerucham Levi, in Jerusalem. We were going to make a series of ten illustrations for his book She’arim – שערים (more information soon), which were to go hand in hand with texts from his book. It is a beautiful song about Jerusalem, with many elements in it driven from Midrashic and Kaballistic literature.

The text is copyrighted to Yerucham Levi. An attempt at translation will be added later.

שער חמדת ירושלים
חיי יום יום: אחדות ישראל
פנינת חן, מארת, פוריה, יפת-מראה, מהוללה, ירושלים, אבן פינה מאירה, ירושלים שירה.
עיני עולם בירושלים צופיה, ציפורים מצייצים שיר, ירושלים תפילה.
כל עשב, ציץ ופרח, נושמים אווירת ירושלים רינה.
ירושלים: מים, חלב, שמש, לחם, תאנה, קסם, מתק-דבש, שיכרון ירושלים – יין עתיק ישן.

 

Meanwhile, I will attempt to highlight the main components of the song, as I was able to relate to them. The entire song is about Jerusalem being a song manifest. Birds are singing to Jerusalem, and its walls are pearly white. The way I drew them is inspired by Dr. Seuss.

  • The fig tree, which symbolizes long-lasting fruitfulness.
  • “Challah” or bread, an icon of the Jewish Sabbath, and also being a source of sustenance.
  • Milk and Honey – need I explain? The milk and the water mix and there is a tunnel under the tree to illuminate that difference. An artistic solution to an overwhelming amount of motifs.
  • Fresh spring water emerging out of the fig tree. This is inspired by a famous fig tree in Israel, which has a spring coming out of it. The song itself just describes water coming out of Jerusalem, which is probably related to the prophecy about water coming out of the Temple Mount. See Ezekiel 47:2.
  • Olive Oil and Wine. I mixed these two in an orb, or globe, on top of which the city sits. Though I am not fully sure what the author intended, to me the two are a representation of energy and investment. I’ll explain:

Olive Oil – The motif of Olive Oil is replete in Jewish philosophy, law and kaballah, as well as history. Chanukah, for example, is a holiday in which we celebrate the “Hidden Light” of Creation. Or Zecharia’s perplexing description of Olive Oil representing the modality of God will being carried out in the world. In short, it is about potential energy. It is representing raw, pristine energy, or the very Will of Creation.

Wine – What is a more Jewish motif than wine? Every Sabbath, Holiday, celebration and even types of mourning, integrate wine. Wine is seen as both a potential greatness, or great loss. See Yoma 76b, Sanhedrin 70a.

Wine is unique in being an expression of the ultimate reward for the faithful commitment to the process of history. See Isaiah 64:4  and Berakhot 43b.

What a perfect representation for this idea: Every investment, toil and suffering, every joy and understanding, integrated into a totality of a whole creation. Wine is an expression of every hour of sunlight, temperature and cold night, the exact type of soil, its fertility, and altitude. So much goes into the creation of each batch, and no two are the same. Indeed, there is grandeur in this view of wine.

Indeed, Jerusalem of Song, or energy and light, of history, and of life.

Disclaimer: At the time, I was going back and forth about changing my family name “Selavan” back to “Cohen”, as it was five generations ago in Ukraine. To my great dismay, I signed it “Nachliel Cohen”, a hallmark of that stage in my life. I am happy to be over it.

To order prints, please contact me via email. Until the site is properly set up.

Jerusalem of Song
Jerusalem of Song. Watercolor and pastel on paper, aprox. 50x70cm

The Bedroom Waterfall

The Bedroom Waterfall

So if you’ve spend any  significant time in the Old City of Jerusalem, you should know who “Cowboy” is, AKA “Zadi Nati” or simply: Nati Charles, the Prince of Tales.

Uncle Nati and Babi Irma, of blessed memory, have been part of my life since I was very young. It started with a connection to my father who made an accidental phone call around 1979. Since then, we’ve been close. Nati, who was a WWII Pilot, also taught me fencing, knife throwing, and all about the Masai. He is one of the coolest people you will meet.

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So Uncle Nati and his wife, Nechama, asked me to paint an “Ein Gedi” style mural in their bedroom. It took me half a year to complete it, mostly because I was very busy. I took two days to do the first part, and left it in reasonably presentable fashion for the next six months or so. Below are some highlights form the process, from beginning to end.

 

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End of day 1

The fun part in day 2 was that my first cousin was spending the summer at my parents’ home. He was looking for something to do so I put him to work, Karate Kid style. “Paint the fence: up – down!” even though what comes to mind for all of us is “Wax on, wax off!” You can hover over the collage images to see individual captions:

 

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Sentinel Ibex

At the end of day 2, it was basically done, I thought. But there was a whole area behind the entrance door which was left blank. Nati and Nechama could not decide what they wanted on it. Meanwhile, they decided they want to have a gazelle, to give the authentic Ein Gedi look. I was in college, hard pressed finding time to work on any painting, all the more so a mural. But you know, it’s Uncle Nati!

Finally, I got my act together and added that cute little gazelle, and it was done! The sad part is that because of the shape of the bedroom and the lighting, it was very hard to get an angle on the entire wall. So you are seeing it in fragments. But if you want to see it for yourself, you’ll have to visit Nati and Nechama, in the old city. But be warned, you might be pampered.

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Gazelle